Albuquerque

Anchorage

Atlanta

Austin

Baltimore

Baton Rouge

Boise

Boston

Buffalo

Charlotte

Chicago

Cincinnati

Cleveland

Colorado City

Columbus

Dallas

Denver

Detroit

El Paso

Fort Wayne

Fort Worth

Fresno

Greensboro

Honolulu

Houston

Indianapolis

Jacksonville

Jersey City

Kansas City

Las Vegas

Long Beach

Los Angeles

Louisville

Memphis

Miami

Milwaukee

Minneapolis

Nashville

New Orleans

New York

Norfolk

Oklahoma City

Omaha

Orlando

Philadelphia

Phoenix

Pittsburgh

Portland

Raleigh

Reno

Richmond

Sacramento

Saint Louis

San Antonio

San Diego

San Francisco

San Jose

Seattle

Spokane

Tampa

Tucson

Tulsa

Virginia Beach

Washington

Winston-Salem

Keyword

Location

Country

Radius

Details

Age min

Age max

Gender

Ethnicities

United States

Girls and boys are needed for the show "Into the Woods Jr." Please refer to the information below.

About the project:
Be careful what you wish for, as Stephen Sondheim’s and James Lapine’s cockeyed fairytale comes to life in this adaptation of their groundbreaking, Tony Award-winning musical. Into the Woods JR. features all of your favorite characters — Cinderella, Little Red Riding Hood, Jack (and his beanstalk), and the Witch — in this lyrically rich retelling of classic Brothers Grimm fables.

Additional info:
Please note: there is a production fee applied.
(Includes cast t-shirt, script, and guarantee of seating for immediate family at each performance)
The first read-through and cast workshop/rehearsal will be held on June 3rd from 9 am-12 pm.
Performances on July 21st at 7 pm and July 22nd at 2 pm and 7 pm.
Rehearsals will be held during the day time from 9 am-12 pm on Tuesdays and Thursdays beginning on June 13th, with a DAY TIME tech week set up "summer camp" style (9 am-4 pm) July17th-20th. Don't worry the full calendar is in the attachment.
FOR AUDITIONS:
All performers will be asked to sing a solo at a closed audition.
Please have prepared a 32-bar musical theater audition song, it can be from the show but doesn't have to be. (If you are auditioning for a specific role, please be prepared to sing or read for that role)
Please be prepared for a small dance call and for possible cold reads.

If you are interested please apply.

Theater

The narrator is the storyteller who speaks directly to the audience. This character helps control the pacing of the show and always needs to be ready for their next entrance, as they pop in and out throughout the story. Find a charismatic girl or boy with great diction for this large speaking role with minimal singing.
Vocal range top: D4
Vocal range bottom: Bb3

Both genders

Narrator

Jack is an energetic young man who is always looking for an adventure. He begins this show as a simple little boy (his best friend is a cow), but by the end of the show he learns a few valuable lessons. You will want to cast an excellent singer and actor who can show great range in this demanding role.
Vocal range top: E5
Vocal range bottom: A3

Male

Jack

Raising a son and running a farm all by herself has made Jack's Mother a bit frazzled and most definitely overworked. Jack s Mother is a great role for a character actress with solid comic timing and good singing skills.
Vocal range top: D5
Vocal range bottom: Bb3

Female

Jack's Mother

The Baker is a good-hearted, likeable person who believes he can take on the Witch s curse all by himself. At first, this confidence and his desire to have a child drives him, but he soon learns he needs his wife s help to accomplish the goal. Cast an excellent actor and singer who is both personable and capable or portraying the Baker s strength of conviction.

Baker

The Baker's Wife is a strong, determined and loving woman whose desire to have a child drives the action of the whole show. Her storyline helps tie all the characters storylines together. Cast one of your strongest female performers in this role as it requires both excellent singing and acting as well as a good sense of comedic timing.
Vocal range top: E5
Vocal range bottom: A3

Baker's Wife

Little Red starts the show as a loud, bratty, pushy, glutton who happily manipulates people and situations to get her way. Eventually, she learns some valuable lessons and softens around the edges. The actress you cast should have a loud, powerful voice and be a good actor. Ideally, your Little Red will have a strong sense of musicality (her songs are often rhythmically challenging).
Vocal range top: Eb5
Vocal range bottom: Bb3

Little Red Ridinghood

The Witch is an ancient, mysterious and manipulative woman who will do anything possible to regain her beauty and protect Rapunzel. While she may seem old and haggard, she still has the strength to control other people. This role is perfect for a good character actress and singer who can physically and vocally portray the complexities of the role.
Vocal range top: C5
Vocal range bottom: C4

Witch

Cinderella's Stepsisters are spoiled brats who care only about themselves and marrying Cinderella's Prince. Cast two actresses who work well together and are able to portray their cattiness in a bold and comical way.
Vocal range top: G4
Vocal range bottom: C4

Florinda and Lucinda

Just like the name suggests, this is one mysterious man. Everything he does is to help the Baker, but he does not explain his motives until the last moment. Cast an engaging character actor who can speak the Mysterious Man s often puzzling lines clearly in this non-singing role.

Mysterious Man

The Wolf is a sly and dangerous character intently focused on attacking Little Red Ridinghood. Cast an actor and singer who can physically and vocally bring the Wolf to life. Also keep your wolf on two feet: don't have the actor try to walk on his hands and knees.
Vocal range top: D5
Vocal range bottom: Bb3

Wolf

Granny is a feisty woman who is not afraid to fight the Wolf face to face. This non-singing role is perfect for a young performer able to make strong character choices.

Granny

The Steward is the servant of Cinderella s Prince. He is dependable and willing to do whatever Cinderella s Prince asks. This smaller featured role is perfect for a performer new to the stage.

Steward

Milky-White is Jack s cow. You could use a cardboard or plaster cow for this role, but it can be a lot of fun to cast a child as Milky-White. If you do cast a child in this role, look for a focused performer with an expressive face.

Milky-White

Cinderella's Father will not win any Father-of-the-Year awards. He doesn't care about his daughter's well-being or her actions. This non-singing role is perfect for a new performer just learning to be comfortable onstage.

Cinderella's Father

Cinderella's Prince is a conceited man who adamantly pursues Cinderella and can't take no for an answer. When not chasing her, he is trying to show up Rapunzel's Prince. This role requires a good singer and actor who can portray arrogance while still being likeable.
Vocal range top: D5
Vocal range bottom: B3

Cinderella's Prince

Cinderella' s Mother comforts Cinderella in her one short song. She has no dialogue, so cast a singer with a strong, pleasant voice for this role.
Vocal range top: D5
Vocal range bottom: D4

Cinderella's Mother

Rapunzel's Prince is the pompous and arrogant brother of Cinderella's Prince. Sibling rivalry runs rampant between the brothers, including each brother's belief that his lady love is the most beautiful. Cast a talented singer who can portray confidence both physically and vocally.
Vocal range top: D5
Vocal range bottom: B3

Rapunzel's Prince

Cinderella's Stepmother is a mean, evil woman who only cares about her birth children, daughters Florinda and Lucinda. She has only a few singing lines, so look mainly for an actress who can portray both the strong distaste the character has for Cinderella as well as the love she showers on her own spoiled daughters.

Cinderella's Stepmother

Cinderella is a simple peasant girl whose one wish is to go to the Festival. Unfortunately, when her wish comes true she learns that wishes sometimes come with consequences. Cinderella s inner beauty always shines through her sometimes clumsy and awkward exterior. Cast a great singer and actor who is charming while maintaining a sense of humor.
Vocal range top: G5
Vocal range bottom: A3

Cinderella

Rapunzel has been stuck in a tower for the majority of her life. Finally, she stands up to the Witch in order to get out to see the world. This role doesn t have a great deal of dialogue, but you will want to cast an excellent soprano singer.
Vocal range top: F#5
Vocal range bottom: G4

Rapunzel

"Into the Woods Jr." Show Looking for Girls & Boys

Boys wanted for "Lost In Yonkers" Play. See the details below.

About the project:
By America’s great comic playwright, this memory play is set in Yonkers in 1942. Bella is thirty-five years old, mentally challenged, and living at home with her mother, stern Grandma Kurnitz. As the play opens, ne’er-do-well son Eddie deposits his two young sons on the old lady’s doorstep. He is financially strapped and taking to the road as a salesman. The boys are left to contend with Grandma, with Bella and her secret romance, and with Louie, her brother, a small-time hoodlum in a strange new world called Yonkers.
Please, see the flyer attached below.

Additional info:
Rehearsals days and time will vary.

If you are interested please apply.

Arty’s brother. Still grieving the recent death of his mother, he is sullen and angry that his father is leaving him and his brother with stern Grandma Kurnitz and their mentally challenged Aunt Bella. (8 scenes)

Jay’s brother. Also grieving over the recent death of his mother, Arty is more apprehensive than angry. He loves his Aunt Bella, but is scared of Grandma Kurnitz and worried about his father. (8 scenes)

Arty

Boys Sought for "Lost in Yonkers" Play

"The Tempest" Play Looking for Teenagers ages 13-18. 
See the details below.

Additional info:
Auditions will consist of a short movement/dance audition (please wear closed-toed shoes and clothes suitable for movement) and cold reading from the script.
You need only attend one audition date.
Show dates are June 9, 10, 15, 16 and 17

If you are interested please apply.

Performers

"The Tempest" Play Seeks Teen Performers

Teens ages 15-18 wanted for "The Princess and The Pea". See the details below.
ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
"The Princess and The Pea" is a fairy tale originally written by Danish author Hans Christian Andersen and first published in 1835. The story is about a prince who is searching for a true princess to marry.
In the story, the prince meets a young woman who claims to be a princess, but he is unsure if she is telling the truth. To test her, he places a pea under a pile of 20 mattresses and 20 feather beds, and asks her to sleep on it. The next morning, the princess complains of a terrible night's sleep and tells the prince she could feel something hard under the mattresses.
The prince then knows for certain that she is a true princess, as only someone with extremely sensitive skin could feel a pea through so many layers of bedding. He marries her and they live happily ever after.
The story is often interpreted as a commentary on the importance of being honest and true to oneself, as well as the importance of sensitivity and empathy.

Additional info:
The performance dates for this show will be June 2nd, 3rd, 4th, 9th, 10th, and 11th.

If you are interested please apply.

The queen of the kingdom. She is stern and opinionated but she has her playful moments.

Estella

The unorthodox and jolly king of the kingdom who claims he is on his deathbed in hopes of speeding up his son’s marriage. He is very playful and easily excitable. Much like Elouise, he wants to see everyone happy.

Yates

A princess of the kingdom and Philip’s younger sister. She is loyal and aids Frances in her pursuit of power. She wants everyone to be happy.

Elouise

A princess of the kingdom and the older sister of Philip. She is strong-willed. She is willing to do anything to get what she wants and what she wants is the throne and power over the kingdom.

Frances

Philip’s third fiance who quickly meets her untimely demise. She is a very quirky and talkative princess.

Rosanna

A generally calm man who has his patience tested.

Priest

The prince of the kingdom. He is determined to unveil his sister’s schemes and becomes obsessed with the case. He wants to give his father his dying wish of seeing him married and happy.

Philip

The king’s page. He is a man of few words but many emotions. He is socially awkward and does not express himself well.

Gideon

The novice and the daughter of Winnie. She thinks she is in a relationship with Gideon at the beginning but it does not last. She is very young and very naive.

Penelope

The head cook and Penelope’s mother. She is very stern and demanding but incredibly caring. She tends to take people under her wing.

Winnie

A man of few words with a very large appetite. He follows behind people eating what they have just made. He is often slightly confused.

Emery

The pastry chef and local castle gossip. She is outspoken and very dedicated to her craft. She is Winnie’s right hand woman, helping her deal with Emery and Penelope while also ensuring that everything is prepared. She is feisty.

Harper

Prince Philip’s page and best friend. He is a bit of a jokester but serious when he needs to be. He is a loyal and supportive friend and servant. He unexpectedly falls in love with Sophie.

Silas

The handmaiden to the sisters. She holds her ground when it comes to the sisters’ antics but always gets dragged into it anyway. She falls in love with Silas unexpectedly.

Sophie

The figurehead of the castle’s investigatory team who is slightly off his rocker. He is often confused and lost without his son, Eric.

Magistrate

The Magistrate’s son and the source of intelligence in investigations. He is a little embarrassed by his father but loves him and keeps him on investigations. He loves Elouise.

Eric

The princess who is mistaken for a commoner by Frances and Eloise. She is the princess who encounters the famous “Princess Test” that involves the mattresses and the pea. She faces the internal struggle of what she wants and who she truly is She wants to make everyone else happy but doesn’t want to lose sight of herself in the process.

Amelia

The commoner that Frances and Elouise “ordered” to marry Philip. She is a tavern girl, very out of place in the castle, and very quirky.

Mara

"The Princess and The Pea" Show Seeks Boys and Girls

Looking for teens for "Ride the Cyclone" Play. See the details below.

ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
In this hilarious and outlandish musical, the lives of six teenagers from a Canadian chamber choir are cut short in a freak accident aboard a roller coaster. When they awake in limbo, a mechanical fortune teller invites each to tell a story to win a prize like no other — the chance to return to life. A funny, moving look at what makes a life well-lived!

Additional info:
Please record a video audition of you singing approximately 32 bars from a contemporary musical and host it online (e.g. google docs, youtube, or another file-sharing service).  Make sure your permissions are set to allow those with the link to view your video, and paste the link in the form below.  Deadline: WEDNESDAY, MARCH 22nd.
Actors invited to in-person callbacks will be notified no later than THURSDAY, MARCH 23rd.  Callback's will be held on the evening of Saturday, March 25th.   If you are invited to callbacks and cannot make the audition time, please let us know and we can try to make alternate arrangements.

If you are interested, please apply.

The leader of the group, relentlessly competitive, sometimes cruel, though she sees herself as a virtuous person; high Broadway mix, with a pop quality; big range.

Ocean O’Connell Rosenberg

Adopted from the Ukraine as a teenager; he has thick Ukrainian dialect and a lot of rage; he is obsessed by Gansgsta Rap (an enormous fan of the auto-tune phenomena); there is a hidden, soulful romantic side; Baritenor with the ability to sing lyrical Ukrainian folk music as well rap.

Misha Bachinski

The only gay kid in Uranium; never had a relationship; obsessed by French New Wave cinema, he has fantasies of dying a tragic death. Must be able to sing in the style of a French chanteuse.

Noel Gruber

Begins the play wordless and on crutches; suffers from a degenerative disease that has left him speechless and mostly immobile; he discovers at the beginning of the play that in this strange purgatory, he has regained all of these abilities. Baritone rock voice; basic accordion and/or tumbling a plus.

Ricky Potts

Overweight, and outwardly okay with it, but there is a very deep self-loathing. Will do anything for Ocean’s friendship and allows herself to be used as a doormat; dubbed “the nicest girl in town,” a title she secretly despises. Very likable comic actress; alto belt, with a rock edge.

Constance Blackwood

She was decapitated in the accident and no one claimed her body; even though she isn’t headless in the piece (but often carries around a headless doll). She reacts in a literal way and largely without emotion, almost robot-like; the other contestants are totally freaked out by her. Classically trained soprano with a flexible coloratura upper range, and some grit and meat in the lower register.

Jane Doe

"Ride the Cyclone" Play Seeks Teen Boys & Girls

A show production of "Hands on a Hardbody" is looking for teenagers ages 15+. Further details can be found below.

ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor, and ambition, they’ll fight to keep at least one hand on a brand-new truck in order to win it. In the hilarious, hard-fought contest that is Hands on a Hardbody, only one winner can drive away with the American Dream. This roots-rock musical is inspired by the true events of the acclaimed 1997 documentary of the same name by S.R. Bindler, produced by Kevin Morris and Bindler.

Additional info:
Callbacks: March 29 at 7-10 pm
Cast list: March 31 by 5 pm
Rehearsals: Mondays – Thursdays 7-10 pm, Saturdays 1-5 pm
April 3 through May 25, 2023
Tech rehearsals: May 27 – June 1, 2023
Performances: June 2 – June 18, 2023
Please prepare 16 to 32 bars of a song in the style of or from the show. All those auditioning should bring sheet music in the correct key – an accompanist will be provided. 
Don’t forget to bring your proof of vaccination with you to the audition! This can be your original vaccination card, a picture of it on your phone, or you can show proof through a vaccine passport app.
Please see the attachment for details.

If you are interested, please apply.

Range: Baritone, G2-D4.
A “good old boy” with pomaded gray hair and a high-wattage grin. Out of work for a while now, he feels like a failure. He needs to win to feel like his life is still worthwhile.

JD DREW

Tenor, C#3-G#4.
Charming, ingratiating grin and lots of homespun philosophy. He’s confident because he won last year, but he is hiding his troubles.

BENNY PERKINS

Range: Tenor, D3-B4.
A kid in a baseball cap. His big dream is to go to Hollywood and be a stuntman.

GREG WILHOTE

Range: Tenor, E3-B4.
A driven kid, who has won a scholarship to go to veterinarian school. Everyone underestimates him.

JESUS PENA

Range: Tenor, Ab2-Ab4.
Chris is a mystery. He wears a hoodie, and a pair of aviator glasses to conceal his eyes.

CHRIS ALVARO

Range: Tenor, F3-B4.
A good-natured man with a slight Louisiana accent. He is a ladies’ man.

RONALD MCCOWAN

Range: Tenor, Eb3-Bb4.
A car salesman. Boyishly handsome wears a cheap tie with a Nascar clip. Ambitious.

MIKE FERRIS

Range: Baritone, A2-Bb3.
Wears a cardboard sign on his head that proclaims “I LOVE YOU JANIS, GO BABY GO!”

DON CURTIS

Range: Bari-Tenor, Eb3-Gb4.
Disc Jockey, a diehard good ole boy dressed in a Stetson.

Children's Theater Auditions in Charlotte