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United States

Looking for kids & teens ages 11-18 for the "Children of Eden Jr." Show. See the details below.
ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
From musical theatre greats, Stephen Schwartz and John Caird comes a joyous and inspirational musical about parents, children, and faith... not to mention centuries of the unresolved family business! An expansive musical, Children of Eden JR. has plenty of roles and life lessons for everyone.
Adam, Eve, Noah, and the "Father" who created them deal with the headstrong, cataclysmic actions of their respective children. As generations pass, faith and loyalty are tested, but the bonds of family and love remain strong. 
This moving, foot-stomping musical is perfect for a large cast. Children of Eden JR. is a wonderful show for faith-based groups looking for a large-scale pageant with sweeping music.

Additional info:
The dance audition should last approximately 45 minutes.
Bring your calendar with conflicts. Please do not audition if you cannot attend all rehearsals. You must be available the entire week before opening for tech week.
Read FULL CAST INTRO.
Listen to the song excerpts.
Pick a song excerpt to sing for the audition.
Prepare a one-minute dramatic MONOLOGUE.
Please see the attachment for details.

If you are interested please apply.

Singing

Father is the all-knowing, all-powerful creator of the universe. Father has a larger-than-life persona and embodies an authoritative presence, balanced with a fair amount of humor and a sense of fun. Father truly loves his children but expects obedience, and is not afraid to punish them if they don’t follow his wishes. 
Vocal range top: G4
Vocal range bottom: Bb2

Male

Father

Adam/Noah should be a versatile performer. Adam embodies the excitement, wonder, and childlike innocence of mankind before the fall, and also the strength and persistence needed after they are expelled from the Garden. He should pair well and have a great relationship with Eve, since he will eventually choose her over Father. 
Vocal range top: Ab4
Vocal range bottom: Ab2

Adam/Noah

Eve/Mama must win over the audience’s hearts. Eve is bright, precocious, loving, and has an adventurous streak. Ultimately, her curiosity is what leads to her banishment, though she never stops loving Father. Her life gets harder after leaving the Garden, but Eve’s spark never fully goes out. Mama is more subtle than Eve, but has a deep strength that is evident in her love for her family.
Vocal range top: E5
Vocal range bottom: A3

Female

Eve/Mama

The Snake (Snake 1, Snake 2, Snake 3, Snake 4, and Snake 5) lures Eve to the tree and ultimately convinces her to take a bite of the apple. This is a great place to put excellent movers or dancers who can make the Snake feel cohesive.
Vocal range top: E5
Vocal range bottom: A3

Both genders

Snake

Young Cain is reminiscent of Eve in the Garden. He is curious, confident, and wants to know the answers to all his questions. Cast a good actor and singer who can work with Cain to create continuity between the character as a child and an adult.
Vocal range top: Db4
Vocal range bottom: Gb2

Young Cain

Young Abel is gentle, sweet, and content with their life as a family, even without the Garden. He loves his parents and his brother, and does not have the same need for answers as Young Cain. Cast a good actor and singer who can work with Abel to create continuity between the character at both ages.
Vocal range top: Db4
Vocal range bottom: Gb2

Young Abel

Cain/ Japheth must be comfortable making strong choices onstage. Cain is passionate, curious, longs for adventure, and places the blame squarely at his parents’ feet for giving away his portion of the Garden. He is angry at Adam, Eve, Father, and the unfairness of his circumstances. He doesn’t return from beyond the waterfall with the intention to kill Abel – but, he allows rage to overtake him, and must endure the consequences. 
Vocal range top: Ab4
Vocal range bottom: C#3

Cain/Japheth

Abel/Ham should be able to create two completely different characters. Abel is gentle, thoughtful, and obedient. He would never cause trouble on his own, but he is caught between his love for his brother, Cain, and his love for his parents. Though Abel respects his parents and Father, Cain can usually find a way to convince Abel to follow him. Abel reflects Adam’s choice to leave the Garden, and his death is a turning point in the show. 
Vocal range top: E4
Vocal range bottom: F3

Abel/Ham

Seth/Shem should focus mostly on Shem. Seth appears onstage at an important time in the story, but does not speak or sing. Shem is the oldest of the brothers and rather hot-headed. Married to Aysha, he is the first to blame Yonah for the family’s problems aboard the ark. Shem does not have a solo, so he does not need to be a strong singer. Cast an expressive actor with a great stage presence who can make strong character choices.

Seth/Shem

Yonah is a descendant of Cain who works as a servant for Noah’s family. While Yonah finds herself in unfortunate circumstances, she handles adversity with grace and strength. She is kind and selfless, and ultimately wins Father and Noah over with her goodness when Noah finally gives she and Japheth permission to wed. Cast an expressive actress with a wonderful singing voice who pairs well with Cain/Japheth.
Vocal range top: Eb5
Vocal range bottom: Ab3

Yonah

Aysha is a bit unhappy with their situation aboard the ark. Married to Shem, she also blames Yonah for their troubles, and isn’t afraid to let everyone know exactly what she thinks. Aysha does not need to be a strong singer – instead, look for an animated performer with a good stage presence for this role.

Aysha

Aphra is a bit of worrywart. Married to Ham, she worries about the flood, and how it will affect their growing family. Like Aysha, Aphra doesn’t need to be a strong singer, but she should be a good actor able to embody Aphra’s sensitive nature.

Aphra

Vocal range top: C5
Vocal range bottom: G3

Female Soloist

Vocal range top: G3
Vocal range bottom: G2

Soloist

Ensemble.
Vocal range top: C5
Vocal range bottom: F#4

Storytellers

Seth’s Wife

Optional Animals

"Children of Eden Jr." Show Seeking Boys & Girls

Looking for a boy for "James and the Giant Peach" the Musical. Please see the details below.

ONLY MD & LOCAL TALENT WILL BE ACCEPTED.

Rate:
Unpaid.

Additional info:
What to Prepare:
Vocal Audition:
Please prepare a one-minute selection of a song that is similar to the character for which you are auditioning. Please do not sing a song from the show. An accompanist will be provided at auditions. Please bring your clearly labeled sheet music in a book or a binder.
Dance Audition:
Arrive dressed to dance. Dance shoes (character shoes, ballet slippers, or jazz slippers) are recommended but not required.
Performances:
Evening Shows: March 10, 11, 17, 18, 24, and 25
Matinees: March 19 and 26.
Callbacks (by invitation only) will be held on Saturday, December 10th.
Please see the attachment for additional information.

If you are interested, please apply.

A lonely young boy who lacks confidence. Having lost both his parents in a freak accident, he feels he belongs nowhere in the world. However, when given the right encouragement he becomes resourceful and innovative. A good friend.
Vocal Range: G3-G5

James Henry Trotter

Boy Needed for "Giant Peach" the Musical in VA

Boys and girls ages 17-18 needed for "Cruel Intentions, The '90's" The Musical and "Head Over Heels" See the details below.
ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
"Cruel Intentions, The '90's"
Rulers of their elite Manhattan prep school, Sebastian and Kathryn have placed a mischievous bet: Can Sebastian successfully deflower the innocent Annette Hargrove, the headmaster’s daughter? As their vengeful crusade wreaks havoc on the students at Manchester Prep, the two devilish step-siblings become entangled in their own web of deception and unexpected romance in this raucous jukebox throwback.
"Head Over Heels"
HEAD OVER HEELS is the bold new musical comedy from the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening. This laugh-out-loud love story is set to the music of the iconic 1980’s all-female rock band The Go-Go’s, including the hit songs, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” Belinda Carlisle’s “Heaven is a Place on Earth” and “Mad About You.” 
A hilarious, exuberant celebration of love, HEAD OVER HEELS follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts.

Additional info:
The company is proud to present CRUEL INTENTIONS: A 90’S MUSICAL on February 25-26, 2023, and HEAD OVER HEELS on March 25-26, 2023.
Those auditioning should prepare 16-32 bars of an 80’s or 90’s pop song and bring sheet music in the correct key. Auditionees are welcome to sing a song included in one of the two productions. An accompanist will be provided. 

If you are interested, please apply.

Manchester Prep Student.
"Cruel Intentions, The '90s"

SEBASTIAN VALMONT

KATHRYN MERTEUIL

ANNETTE HARGROVE

Marci Greenbaum, Manchester Prep Student/Ensemble Member.
"Cruel Intentions, The '90s"

CECILE CALDWELL

Court Reynolds, Manchester Prep Student/Ensemble Member.
"Cruel Intentions, The '90s"

BLAINE TUTTLE

Manchester Prep Student/Ensemble Member.
"Cruel Intentions, The '90s"

GREG MCCONNELL

Football Player, Manchester Prep Student/Ensemble Member.
"Cruel Intentions, The '90s"

RONALD CLIFFORD

Dr. Greenbaum, Manchester Prep Student/Ensemble Member.
"Cruel Intentions, The '90s"

MRS. BUNNY CALDWELL

King of Arcadia. A good ol' boy. A hothead, but not a despot. Blindly thinks Arcadia is doing great under his masculine rule, which will be sorely tested during the course of the show.
"Head Over Heels"

BASILIUS

Queen of Arcadia. Wise, beautiful. Like any longstanding spouse, knows how to get her way with her husband when push comes to shove.
"Head Over Heels"

GYNECIA

Basilius and Gynecia's older daughter. Confident and obsessed with her appearance. Known to be the most beautiful bachelorette throughout Arcadia.
"Head Over Heels"

PAMELA

Basilius and Gynecia's younger daughter. Shy and a "good girl", she yearns to follow her heart rather than obey her father's orders.
"Head Over Heels"

PHILOCLEA

The King’s viceroy; father to Mopsa.
"Head Over Heels"

DAMETAS

Handmaiden to Pamela. Warm, skeptical. Growing up without a mother has made her wise beyond her years about everyone and everything, which is why she is the (sometime) narrator to the show.
"Head Over Heels"

MOPSA

A young shepherd who courts after Philoclea.
"Head Over Heels"

MUSIDORUS

The Oracle; powerful, mysterious. Demanding. Great sense of humor--can see through everyone--they are the Oracle of Delphi, after all.
"Head Over Heels"

PYTHIO

Unique, charismatic individuals to inhabit the kingdom of Arcadia.
"Head Over Heels"

ENSEMBLE

Teens Required for Upcoming Musical 2022-2023

Looking for performers ages 17+ for the "As You Like It" Play. Please see the details below.

ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
One of Shakespeare’s most beloved romantic comedies is transported to the Woodstock era as Rosalind decides to flee from her tyrannically uptight uncle to the Forest of Arden, where her free-spirited father has been banished, along with his band of hippie followers. Colorful country folk, comic, and romantic complications, the cynical observations of Jaques (“All the world’s a stage.”) and Shakespeare’s poetry make for a richer mixture than your typical rom-com. Folk and rock music popular in the 60s and 70s will be performed in place of songs from Shakespeare’s time.

Rate:
Unpaid.

Additional info:
Prepare a one-minute monologue (modern or Shakespeare) and 30 seconds of a prepared song (around 16 bars). A capella is fine or an accompanist will be provided if you bring sheet music. Guitar players are welcome. There may be readings from the script.
ALL CALLBACKS WILL BE IN PERSON BY INVITATION ONLY ON DECEMBER 14th. 
Bring a completed audition form (see the attachment)and headshot if available. Please look at the rehearsal calendar on the audition form and come up with any conflict dates. 
All Auditioners, Cast, and Crew for this production must be vaccinated. 
Tech Week: Fri March 10 – Thu March 16.
Performances at Kensington Town Hall from March 17 to April 2.

If interested, please apply.

Rosalind

Celia

Le Beau

Oliver

Attendant 1

Attendant 2

Charles the Wrestler

A hippie follower of Duke Senior (preferably a guitar player).

Amiens

First Lord

Second Lord

Silvius

A young country woman but with a touch of Valley Girl.

Phebe

"As You Like It" Play Needs Teens in VA

Looking for boys & girls ages 16-18 for "Shrek the Musical". See the details below.

About the project: 
Once upon a time, there was a little ogre named Shrek...." And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude, and over a dozen other fairy-tale misfits, and you've got the kind of mess that calls for a real hero. Luckily, there's one on hand and his name is Shrek.

Additional info:
Potential callbacks Dec 8, 6-8 pm.
These are non-floating, closed auditions.
Please prepare 16-32 bars of an upbeat song and be prepared to dance choreography. Those auditioning for a part, be prepared to read from the script (no monologues required for auditions). This product is also auditioning for a dance-only ensemble (no singing required for dance-only members). Dancers must arrive no later than 7 PM and plan to stay until 9 PM.

If you are interested, please apply.

Our story's title character. A big, green, terrifying ogre who lives alone on a swamp. He embarks on a journey to rid his land of fairytale creatures and, along the way, falls in love with Fiona. Begins as a grumpy hermit, but reveals his layers and eventually becomes the hero.
Vocal range top: G#4
Vocal range bottom: A2

Shrek

The beautiful princess of Far Far Away, she transforms into an ogre every night when the sun sets. Rescued by Shrek and eventually falls in love with him. Quirky, blunt, and multitalented, she is not an ordinary princess.
Vocal range top: G5
Vocal range bottom: F3

Fiona

A talking donkey joins Shrek on the run from Farquaad's guards. Quite the chatterbox, he is not deterred by Shrek's looks and practically forces himself into his good graces. Easily frightened and pushy, but also had an optimistic heart.
Vocal range top: B4
Vocal range bottom: C3

Donkey

The comically short, ruthless ruler of Duloc. He is in search of a princes to marry so that he can become king. Has an intensely unfair bias against fairytale creatures that stems from a resentment of his father. Self-absorbed, lonely, and cruel.
Vocal range top: D5
Vocal range bottom: B2

Lord Farquaad

A dragon that has been charged with guarding Princess Fiona in her isolated castle. She eventually falls in love with Donkey and attempts to keep him there forever. Imposing and flirtatious, but tired of her job as the glorified babysitter.
Vocal range top: Eb5
Vocal range bottom: F3

Dragon

A gingerbread man was initially kidnapped by Lord Farquaad. His wit and resolution help him both avoid trouble and inspire the rest of the fairytale creatures. Puppet. Can be operated by an actress appearing as Sugar Plum Fairy.
Vocal range top: C#5
Vocal range bottom: B3

Gingy

The leader of the fairytale creatures. He is an animated puppet whose nose grows every time he lies. Plenty of sass with a penchant for lying.
Vocal range top: F#4
Vocal range bottom: E3