Equity Actors for Theatre Company's 2025-26 Seasons
Equity actors for roles in Theatre Company's 2025-26 SPT and LOA seasons. ONLY LOCAL TALENT WILL BE ACCEPTED. See breakdown below. Rate: SPT / LOA $670 (SPT 7 - pending approval) $670 (LOA ref LORT - pending approval) Additional info: An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. PREPARATION Actors who would like to be considered should prepare an audition package of either: 1. Two contrasting monologues not exceeding three minutes. OR 2. One 90 second monologue and 16-32 bars of a song that showcases their vocal strengths. An accompanist will be provided. Please bring sheet music that is clearly marked. "The Good Peaches" (LOA) First Rehearsal: September 2, 2025 Tech: September 16 - 20, 2025 Opening: September 20, 2025 Closing: September 20, 2025 "Hundred Days" (SPT) First Rehearsal: September 30, 2025 Tech: October 16 - 21, 2025 Previews: October 22 - 23, 2025 Opening: October 24, 2025 Closing: November 16, 2025 "The Scarlet Letter" (SPT) First Rehearsal: December 29, 2025 Tech: January 15-18, 2026 Previews: January 21 - 22, 2026 Opening: January 23, 2026 Closing: February 15, 2026 "Into The Woods" (LOA) First Rehearsal: March 3, 2026 Tech: March 17 - 22, 2026 Previews: March 25-26, 2026 Opening: March 27, 2026 Closing: April 26, 2026 "Hot Wing King" (SPT) First Rehearsal: May 12, 2026 Tech: May 28 - June 2, 2026 Previews: June 3 - 4, 2026 Opening: June 5, 2026 Closing: June 28, 2026 Note - all characters are Black or Afro-Latino and Male identifying. If you are interested, please apply.
16 roles
A young girl but an old soul. Curious and resilient. NOTE - Actor should have a strong comfort level with movement and text. "The Good Peaches"
Seeking an actor/musician with strong musical ability and vocals. Multiinstrumentalists are a plus. "Hundred Days"
Mezzo - Magnetic, wily and charismatic. She has been wronged by the world and is owed a reward for everything she has endured. Or at least that is the story she believes. "Into The Woods"
Baritone - kind, a loving husband, he really wants a child, and he wants badly to do right by his wife. "Into The Woods"
Mezzo - smarter than her husband, braver too; she really wants a child too, but she is far more matter of fact in her quest. "Into The Woods"
Soprano - stronger than she thinks, and until she has the attention of a prince, she does not realize that she does not really need the attention of a prince. "Into The Woods"
Bari-Tenor - has a lot of ideas about what makes a man a man, and it includes mansplaining, and chest puffing, and that kind of thing. "Into The Woods"
Mezzo - tough, mischievous, a girl boss in a red cape. "Into The Woods"
Tenor - so so sweet, and so loving and so good at falling into opportunity. "Into The Woods"
Soprano - sheltered and ready to move out even though she is so ignorant of the world. "Into The Woods"
Bari-Tenor - he loves love, he wants to be in love, and because he is not the brightest, he can fall in love with anyone, even that lady in a tower who he has barely gotten to know. "Into The Woods"
Mezzo - she’s trouble and she has attitude to spare. "Into The Woods"
Mezzo - she’s also trouble and she is great at matching her sisters attitude. "Into The Woods"
Baritone - A chameleon. "Into The Woods"
This is a role for an adult puppeteer. An extremely spirited, impish child. Not so much “cute” as a child who takes an almost disturbing, otherworldly level of Delight in being bad or disobedient. Half-feral. Dark side. Prone to repeating what she hears. The kind of child who, if you turn your back for half a second, will roll in a mud puddle and herd their siblings into a “prison” with a sharpened stick. Not actually malevolent, probably. Precocious. Does like attention. "The Scarlet Letter"
Dwayne’s nephew. In need of guidance and a new home TJ - 35 - Everett’s father. A long-time dealer who is “about that life” Struggles with teaching his son how to be a man, but unsure if Cordell and Dwayne can be good father figures to his son. "Hot Wing King"