Casting Call for Boys and Girls for "Beetlejuice Jr." Stage Play
Casting call for boys and girls for the stage play "Beetlejuice Jr." – see details below! About the project: The ghost-with-the-most comes to the stage in Beetlejuice JR., the frightfully funny musical based on the beloved motion picture turned Broadway phenomenon. Lydia Deetz is a strange and unusual teenager, still grieving the loss of her mother and obsessed with the whole “being dead thing.” Lucky for Lydia, she and her father move to a new house haunted by a recently deceased couple and Beetlejuice, a delightful demon with a real zest for life. When Lydia calls on Beetlejuice to scare away anyone with a pulse, this double-crossing specter shows his true stripes, unleashing a (Nether)world of pandemonium. Additional info: Callbacks will start at 2:00 PM Please prepare 32 bars of a musical theatre song. No accompanist will be provided, so bring recorded accompaniment on a phone, ipod, or MP3 player. Also wear something you can dance in, as you will learn a short dance combination with a group of approximately 10 others. Rehearsals will be on weeknights* from 6:30 PM - 9:00 PM and Saturdays from 9:00 AM - 4:00 PM. Not all cast members will be called to all rehearsals. *The directors will only rehearse on two weeknights each week. Exact nights of the week have not yet been determined. Please come to auditions prepared to write down all weeknight conflicts. Tech week will be October 20 – October 23 from 6:00 PM – 10:00 PM, and the show will take place on October 24 at 7:00 pm, October 25 at 2:00 PM and 7:00 PM, and October 26 at 2:00 PM. All cast members must be available for all tech rehearsals and shows. If you are interested please apply.
29 roles
Whip-smart, grieving fifteen- year-old whose dark sense of humor helps her cope with the loss of her mother, Emily. Lydia is unfazed by Beetlejuice’s antics and easily holds her own against both him and all things Netherworld. Vocal range top: E5 Vocal range bottom: A3
Lydia’s father. He wants to help her get over the loss of her mother, although the ways he tries to “help” aren’t really what Lydia needs. Charles is under a lot of pressure between his concerns over Lydia, his secret relationship with Delia, his professional life, and his own grief (which he tries to ignore). Vocal range top: F5 Vocal range bottom: Bb3
The dead guy of the hour! This titular character is zany, spooky, and absolutely hilarious. Though Beetlejuice exists in a morally gray area, he’s more of a trickster than a malevolent threat. He’s happy to align his interests with others, but ultimately, he’s looking out for himself. Vocal range top: E5 Vocal range bottom: G3
Devoted husband of Barbara, just can’t catch a break. While life’s stresses were getting to him – renovation of the house, financial difficulties, and the decision about having a child – he certainly wasn’t ready for death. Vocal range top: Eb5 Vocal range bottom: Bb3
Barbara's stresses align with her husband’s, in life and death, although Barbara is a bit more adventurous than Adam. She is very kind but also strong-willed and a quick thinker. Barbara immediately bonds with Lydia. Vocal range top: D5 Vocal range bottom: A3
Hopelessly (sometimes maniacally) optimistic. She believes fully in her guru, Otho, and considers herself a life coach, though underneath her façade she’s quite fragile and desperately wants to fit in with the Deetzes. Delia loves Charles and genuinely cares about Lydia’s well-being, even if her attempts to connect are somewhat misguided. Vocal range top: C#5 Vocal range bottom: G2
The business tycoon whom Charles hopes to impress. Vocal range top: C5 Vocal range bottom: C4
Vocal range top: C5 Vocal range bottom: G3
Former beauty queen, greets the recently dead in the Netherworld. She leads “What I Know Now”. Vocal range top: D5 Vocal range bottom: A3
Maxie's fourth (or fifth) wife.
Delia's guru and occasional exorsist.
Beetlejuice’s mother, runs the recently dead intake with an iron fist. She has “a voice like road tar” and no sympathy for anyone.
RELATED CASTING CALLS
