Looking for Teen Equity Actors for Theatre's 2025-26 Season
Seeking teen Equity actors for the theatre's 2025–26 season. See the details below! ONLY LOCAL TALENT WILL BE ACCEPTED. Rate: SPT Tier 5 Contract - $550 AEA minimum (pending approval) Additional info: PREPARATION FOR PLAYS: Please prepare two contrasting one-minute monologues OR one two-minute monologue. FOR MUSICALS: Please prepare a two-minute music selection in the style of one of musicals OR two contrasting one minute music cuts OR a one-minute music selection and a one-minute monologue. An accompanist will be provided. Bring sheet music in the correct key. Bring your picture and resume, stapled together. If you are unable to attend in person, directors are also accepting video submissions by Sunday, July 20, 2025 at 5 pm ET. An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. ANDREW LLOYD WEBBER’S "TELL ME ON A SUNDAY" 3 DANCER/SINGERS must be strong in contemporary dance and harmonies. Rehearses: 8/19/25 - 9/05/25 Runs: 9/05/25 - 10/05/25 "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD" Rehearses: 1/06/26 - 1/30/26 Runs: 1/30/26 - 3/08/26 Casting Note - All of these characters are real people, not caricatures of themselves. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK" Rehearses: 3/24/26 - 4/10/26 Runs: 4/10/26 - 5/17/26 "BASH OF THE TITANS" Rehearses: 5/19/26 - 6/12/26 Runs: 6/12/26 - 8/02/26 If you are interested, please apply by Friday, July 11.
15 roles
"TELL ME ON A SUNDAY"
"TELL ME ON A SUNDAY"
"TELL ME ON A SUNDAY"
Irish, tall, lean, comical, narcissistic writer; mean when drinking. Irish Accent (American Irish). Vocal: Baritone – Solid G top – and pop up to B natural and a falsetto high B. "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
Irish, earthy, good-looking, feisty. Joyce’s sweetheart. Irish Accent (American Irish). Vocal: Mezzo with a solid and comfortable high C (strong belt and mix). "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
HARRIET WEAVER, JOYCE’S MOTHER, SYLVIA BEACH, LUCIA JOYCE, ITALIAN STUDENT. Comic timing and truth of understanding – chameleon-like. (“Harriet Weaver” – English, a tad over the top). Irish accent, high-British accent, Italian accent. Mezzo soprano; should belt up to E (and have a very strong mix). "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
Judgmental, witty. Charming as “Giorgio.” “Priest” is omni-present, Joyce’s “conscience.” Irish accent, Italian accent. Bari/tenor with solid E; falsetto up to G. "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
A contemporary of Anne Frank. "AND THEN THEY CAME FOR ME: Remembering the World of Anne Frank"
A contemporary of Anne Frank. "AND THEN THEY CAME FOR ME: Remembering the World of Anne Frank"
Eva's father. "AND THEN THEY CAME FOR ME: Remembering the World of Anne Frank"
Eva's mother. "AND THEN THEY CAME FOR ME: Remembering the World of Anne Frank"
Ed's Mother. "AND THEN THEY CAME FOR ME: Remembering the World of Anne Frank"
"AND THEN THEY CAME FOR ME: Remembering the World of Anne Frank"
Son of Zeus, a demigod tasked with finding a way to kill the Kraken and save the beautiful Princess Andromeda. Handsome, athletic with a strong pop/rock voice. Must be physically fit and comfortable performing shirtless. "BASH OF THE TITANS"
A beautiful princess who is sentenced to be sacrificed to the Kraken after her mother commits blasphemy. Must have a strong pop/rock voice and great sense of comic timing. Andromeda is not just a princess, she's a pop princess! "BASH OF THE TITANS"
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