Singing Audition for "Hunchback of Notre Dame" Seeks Teens

Lead. Tenor, Bb2 to Bb4. The titular bell-ringer of Notre Dame and Claude Frollo’s charge. Lonely and staunchly obedient to Frollo, he possesses a vivid imagination that brings to life the bells and gargoyles of the cathedral. Despite his shyness and uncertainty, he quickly befriends Esmeralda. Big-hearted, tender, and brave when he needs to be.

Lead. Mezzo-soprano belter, Eb3 to Db5. An independent and strong-willed Romani woman who speaks her mind and stands up for what she believes in. Compassionate and principled, she possesses the strong sense of justice and morality that others may lack. We are seeking to cast a BIPOC actor in this role. Must be a true triple threat. This role requires onstage intimacy, see note for further detail.

Lead. Bass-baritone, E2 to D4. Archdeacon of Notre Dame and the most powerful cleric in Paris, he possesses a strong sense of obligation to the memory of his brother Jehan and his ward Quasimodo. He will do whatever it takes to rid the city of the Roma “vermin,” even as he lusts after Esmeralda. Calculating, manipulative, and obsessive. This role requires onstage intimacy, see note for further detail.

Lead. Bari-tenor, Ab2 to Ab4. The dashing new Captain of the Cathedral Guard. Conflicted between following his duty and doing what’s right, he struggles with the trauma he experienced in four years of intense battle on the warfront. Charming and arrogant, Phoebus focuses on enjoying life’s pleasures before quickly falling for Esmeralda and ultimately defying Frollo. This role requires onstage intimacy, see note for further detail.

Lead. Mezzo-soprano, approx. E3 to C5. A clever and charismatic Romani entertainer who narrates our story. While an air of mystery surrounds Clopin, she remains acutely aware of the prejudice against the Roma. As the master of ceremonies for the Feast of Fools, she is witty and playful, but she boasts a darker, serious nature when not performing for the crowd. We are seeking to cast a BIPOC actor in this role. Strong dancing is preferred.

Supporting. Six actors of varying voice types. The troupe of performers that travel throughout Paris. These individuals serve as the narrators of our story alongside Clopin. We are seeing a mix of strong personalities who are able to carry the narrative weight of the production. Strong dancing is preferred.

Supporting. Six actors of varying voice types. The gargoyles and statues that surround Quasimodo in this bell tower, brought to vivid life through Quasimodo’s imagination. We are seeking a mix of strong personalities to represent the breadth of Quasimodo’s inner life. The role of Saint Aphrodisius will be cast from this group.

Supporting. Male character of any voice type. Lieutenant of the Cathedral Guard, his loyalty to his commanding officer Phoebus is tested in a moment of crisis.

Featured Ensemble. The Cathedral Guard under the command of Phoebus, and later, the military force under Frollo’s command persecutes the Roma once martial law is enacted.

Ensemble. The ordinary “rabble” of Paris must learn to confront their prejudices and rise up against the oppression of the Church. The below-Featured Roles will be cast from this ensemble group.

Baritone, B2 to B3. A young disciple of Notre Dame faced with an impossible decision upon his wayward brother’s death.

Baritone, G#2 to Eb4. Claude Frollo’s wild and charming younger brother and the father of Quasimodo.

Soprano, C#4 to F5. Jehan’s Romani lover and the mother of Quasimodo. We are seeking to cast a BIPOC actor in this role.

Actor of any voice type. Reigning monarch of France. Though nicknamed “The Prudent,” would rather act quickly than appear weak.

Baritone, G2 to E4. The judicial officer responsible for relaying warrants of arrest to the people of Paris.

Any voice type. Stalwart proprietress of a brothel that functions as a safe haven for the Roma of Paris. Strong presence required.