Casting Kids for "Les Miserables-School Edition"

JEAN VALJEAN is the hero of the show. It is his life journey that we follow. Jean Valjean is supposed to be stronger than other men, and so he should physically appear robust. He should carry himself confidently onstage and come across to the audience as reasonably mature and paternal. Valjean’s capacity for change is his greatest asset throughout the story. The key to his character is his great humanity and compassion. He is a vocally demanding role, so cast your best singer and actor.

JAVERT is the inspector who serves as antagonist to Jean Valjean. Javert is unswerving in his belief that men cannot change for the better. “Once a thief, always a thief” is his mantra. At first glance, Javert might appear to be the villain of the story, but upon closer examination, it is clear that he is not an evil man. He is a dedicated policeman with a profoundly strong sense of duty.

FANTINE is the beautiful, young girl who, abandoned by her lover, is left to fend for herself and her daughter, Cosette. She is rejected by society and forced through circumstances to sell herself. She is a brave woman defeated by life who clings to her dignity and is sustained by her love for her daughter, sacrificing everything for the young Cosette.

YOUNG COSETTE is Fantine’s daughter and the Thénardiers’ ward. She has been forced into child labor. She is underfed, beaten by Madame Thénardier, and bullied by Eponine. Make sure your Young Cosette is small and looks properly pathetic yet warms the audience’s hearts. They should be sympathetic to her plight. It is essential that your Young Cosette be as physically small as possible, especially against Jean Valjean and the Thénardiers.

MADAME THENARDIER is married to Thénardier. Together, Madame Thénardier and Thénardier con the world as partners in crime. They were made for each other, and although she complains about him, she loves him dearly. She is coarse and vulgar, unhappy in her existence without knowing why. She is romantic, greedy, manipulative, evil, and larger than life.

THENARDIER is the true villain of Les Misérables School Edition . He is the embodiment of evil. That said, he should also possess a wicked sense of humor. He delights in cheating, robbing, defrauding, and blackmailing, and relishes every aspect of his schemes with glee. He is tough, greedy, brutal, lowbrow, crafty and yet irresistible. He hates society and blames it and everyone else for all his misfortune.

GAVROCHE is Thénardier’s son. He is left to fend for himself and lives by his wits in the streets of Paris. His archenemy is Javert, the policeman. Gavroche is brave, witty, and arrogant, with a fantastic, unchanged voice. For comparison, think of a young Artful Dodger. Gavroche is best played by the smallest boy available. Gavroche has a very dramatic death at the barricade. Make sure your Gavroche is a good enough actor to believably die onstage.

EPONINE is the Thénardiers’ daughter. Living hand to mouth, she survives by helping her father in his life of crime. She is a young girl who is streetwise and tough but also sensitive and lonely. This tragic character is hopelessly in love with Marius, knowing that he will never love her. She bravely follows Marius to the barricades in the hope that they will die there together.

ENJOLRAS is the student leader. He is handsome, brave, and daring, although youthful. He combines his revolutionary ideals with strong, charismatic leadership. Victor Hugo described him as “a thinker and a man of action.” On the barricade, he should dominate everyone else physically and vocally. Enjolras is one of the more difficult roles to cast. He should be a natural leader oozing with charisma and have a very strong high baritone or a tenor voice.

MARIUS is the romantic hero of the story. He is impulsive, passionate, willful, and headstrong. His moods change according to his circumstances. He is sweet and tender but also capable of great courage and compassion. In Act I, Marius plays Romeo to Cosette’s Juliet. Marius matures after “The Café Song” as a result of his experiences on the barricade. Marius should have a lovely, lyrical voice with a contemporary edge.

COSETTE is Fantine’s strong-willed, loving daughter. She is an intelligent, inquiring, personable girl; she is not in any sense a sappy, romantic heroine. Once she is adopted by Jean Valjean, Cosette lives a comfortable, if secluded, life. She falls instantly in love with Marius, changing her world and her priorities. The role calls for an excellent singer with a lovely, lyrical soprano voice.

CHAIN GANG consists of Jean Valjean’s fellow prisoners. There are five soloists (Convicts 1, 2, 3, 4, and 5). The overall vocal range of the Convicts is low, and they should be able sing in a rich baritone range if possible.

CONSTABLES There are two solo Constables (Constables 1 and 2) in the show. Consider keeping the same actors as Constables throughout the entire show to save a bit on costumes, since period uniforms tend to be expensive to build.

FARMER has solo lines that are a bit difficult to sing.

This particular solo line is a bit difficult to sing.

BISHOP OF DIGNE is a good man who saves Valjean’s soul through showing compassion. Don’t overlook the importance of this role. The Bishop of Digne’s kindness carefully establishes the premise of the show by literally buying Jean Valjean’s soul for God. This powerful role requires a nice baritone voice and a good actor.

FOREMAN begins Fantine on her desperate, downward spiral. He should be virile, commanding, and a bit sleazy around the edges.

FACTORY WORKERS include the following characters with solo lines: Workers 1 and 2, Woman, Factory Girls 1, 2, 3, and 4.

(Factory Girl) is the shop girl who fights with Fantine. She is mean, spiteful, and selfish. She also is most likely having an affair with the Foreman and is jealous of his affection for Fantine. Often, Girl 5 will serve as Fantine’s understudy or as a Fantine double.

(Sailors 1, 2, 3) Three sailors begin the docks scene. All three have solos but do not need to be great singers.

BAMATABOIS is the customer who taunts Fantine into violence. He is a wealthy, dissolute young man who thinks of himself as a gentleman, even dressing in expensive clothes. He is drunk and in a sadistic mood. He chauvinistically feels it is his right to buy anything, even Fantine.

OLD WOMAN is a nice featured role who purchases Fantine’s hair. Her vocal solo is a bit tricky, so cast a strong singer if possible.

FAUCHELEVANT is the victim of the cart crash. The role requires little of the actor: a few solo lines and some painful yelps.

JUDGES are non-singing roles. They appear once in a courtroom to preside over a trial against Jean Valjean.

These characters are also non-singing. Mistaken Jean Valjean is the man who Javert believes to be Jean Valjean.

The two Nuns are non-singing and non-speaking roles. They serve to take care of Fantine in her sickness.

YOUNG EPONINE is the pampered daughter of the Thénardiers. She does little except taunt Young Cosette. The role requires no singing or speaking. She should be a smaller version of grown Eponine and resemble Eponine in appearance and features.

A gang of kids to follow Gavroche around. Remember that Paris at this time would be full of orphans (due to years of wars and revolutions), and representing these young people onstage is a nice addition. Do not include Gavroche’s Gang in the barricade scenes, as it will negatively impact the dramatic arc of the show, taking away from Gavroche’s death. One member of Gavroche’s Gang could have a solo line if cast as Solo Urchin.

BRUJON is a member of Thénardier’s gang of thieves. He is physically very strong. He has the body of a bear and a pea-sized brain. A genuine gangster, he is stupid and evil.

BABET is a member of Thénardier’s gang of thieves; physically frail but lean and cunning.

CLAQUESOUS is tough, dangerous, and secretive.

MONTPARNASSE is a teenager who is handsome and dangerous (he kills with a knife). He is well dressed, strongly built, and agile.

COMBEFERRE is the philosopher and believer in peace. He is gentle, humane, strong, and brave.

FEUILLY is a worker who is a self-educated orphan. He is an affectionate, warm, and poetic believer in “nationality.”

COURFEYRAC is a youthful, passionate, and fearless student.

JOLY is an eccentric and light-hearted (although sometimes morbid) medical student. His name is derived from the English word “jolly.”

PROUVAIRE is a kind, soft-spoken, and, at the right moments, strong and masterful poet and student of social studies.

LESGLES is a cheerful, laughing-at-life (but unlucky) student. He is a close friend of Joly.

GRANTAIRE is the opposite of Enjolras. He believes in nothing. Although he admires Enjolras, he loves to mock him. Witty and drunken, Grantaire is happy being with the group, and they put up with him because of his good humor. He also keeps a watchful eye on Gavroche, the mascot of the group, and is the most heartbroken when Gavroche is killed. He is so devastated by Gavroche’s death that Grantaire abandons his cynicism and rushes to die on the barricade.

An ensemble of Revolutionaries at the barricade scenes.

In addition to the ensemble of Revolutionaries, the barricade scenes need actors to serve as Sentries 1 and 2.

The barricade scene needs and actor to play the Army Officer. This actor only needs to be heard from offstage; as he’s never seen onstage, this is an easy role to double cast.

There are also four soloists for working-class Women in Scene 6 (Women 1, 2, 3, and 4) who sing about the events at the barricade.

WEDDING GUESTS form a chorus that celebrates the wedding of Marius and Cosette. They do not have any solo singing lines.