Young Talent Wanted for Upcoming 2026 Season
Calling All Young Performers! Join the Upcoming 2026 Season — Details Below. ONLY LOCAL TALENT WILL BE ACCEPTED. Rate: SPT $496 weekly minimum (SPT 4) Additional info: No break scheduled. Callbacks will be held as needed in person on a show-by-show basis starting at the end of December 2025. Rehearsals are typically 10 am-5 pm, 6 days a week, for three or four weeks prior to opening, depending on production. Tech week is typically 1 pm-10 pm. Performances are typically Thursdays, Fridays, Saturdays at 7:30 pm and Saturdays and Sundays at 2:30 pm All performers please prepare 32-bars of two contrasting classical musical theatre selections similar to those projected in our season. Please choose songs that show you at your best. If you are interested please apply.
33 roles
Baritone. The proud, well-intentioned patriarch. Part TV dad, part tragic Shakespearean hero. Loving, slightly clueless, and always trying to keep the peace. Think “Dad Knows Best” with existential undertones. "The Brady Bunch"
Mezzo-Soprano. The upbeat, optimistic mother. Sweet but strong-willed - a Lady Macbeth who bakes. A blend of maternal warmth and unexpected bite. "The Brady Bunch"
Tenor/High Baritone. The cool eldest son. Dreamy, confident, guitar in hand. The Romeo of the Bradys - charming but dramatic when love gets complicated. "The Brady Bunch"
Soprano/High Mix. Beautiful, self-assured, and knows it. Popular and polished but secretly yearning for deeper meaning. The Juliet energy is strong with this one. "The Brady Bunch"
Tenor. The middle child trying to find his place. Awkward, endearing, and eager to prove himself. A true “boy next door” with puppy energy. "The Brady Bunch"
Mezzo-Soprano. Insecure and emotional - “Marcia, Marcia, Marcia!” personified. She’s Ophelia in bell bottoms, earnest and fragile but funny and big-hearted. "The Brady Bunch"
Any voice. The mischievous youngest brother. Spirited, loyal, and up for anything. Comic timing essential. "The Brady Bunch"
Soprano. The sweet, lisping youngest Brady. Innocent yet surprisingly clever. Small but mighty comic presence. "The Brady Bunch"
Alto/Mezzo The loving single mom and band leader. Earthy, grounded, and musically gifted. Think Gertrude meets Karen Carpenter. "The Brady Bunch"
Tenor Handsome, brooding, and talented. The Hamlet of the Partridges – moody, magnetic, and hopelessly romantic. "The Brady Bunch"
Mezzo-Soprano Intelligent, independent, and witty – the Beatrice of the Partridge clan. Has great chemistry with Greg Brady. "The Brady Bunch"
Baritone/Tenor Schemer, hustler, always up to something. The Iago of sitcom suburbia. Wry, confident, and funny as hell. "The Brady Bunch"
Baritone The easygoing drummer. Low-key and likable. A comic presence who’s happy in the background until he steals a moment. "The Brady Bunch"
Any voice The youngest Partridge. Adorable, musical, and always positive. Brings the wholesome innocence of the band. "The Brady Bunch"
Character Baritone The Partridge Family’s overworked manager. Cynical but lovable. Comic timing and strong character voice essential. "The Brady Bunch"
Alto/Mezzo The Bradys’ wisecracking housekeeper. World-weary, grounded, and hilarious. The show’s moral compass wrapped in sarcasm. "The Brady Bunch"
Baritone Alice’s well-meaning boyfriend. Sweet, loyal, and occasionally clueless. Strong comic instincts. "The Brady Bunch"
Tenor Naïve, idealistic, and endlessly hopeful. A young man whose belief in “the best of all possible worlds” is constantly challenged. Must sing with warmth, purity, and emotional openness. "CANDIDE IN CONCERT"
Soprano / Coloratura. Beautiful, vain, and resilient. Her show-stopping aria “Glitter and Be Gay” demands both comedic precision and dazzling vocal agility. "CANDIDE IN CONCERT"
Baritone / Character Tenor. The voice of reason, irony, and folly all at once. A brilliant comic capable of shifting from sincere instruction to absurd philosophical justification. "CANDIDE IN CONCERT"
Baritone / Tenor. Cunegonde’s pompous, preening brother. Entitled and hilariously self-absorbed, yet still oddly lovable. "CANDIDE IN CONCERT"
Soprano / Mezzo. A servant and romantic counterpart to Maximilian; flirtatious and warm-hearted. "CANDIDE IN CONCERT"
Baritone / Tenor. Candide’s loyal companion and worldly guide. Charming, grounded, and pragmatic. "CANDIDE IN CONCERT"
Baritone. Comic character; Multiple roles with flair, wit, and variety. "CANDIDE IN CONCERT"
Baritone (G2–Gb4) A brooding, tormented barber driven by revenge. Intelligent, intense, and commanding. Conveys both menace and vulnerability.
Alto/Mezzo-Soprano (G3–E5) The enterprising and eccentric pie shop owner. Comic yet deeply human; Balances humor, horror, and genuine affection for Sweeney. Excellent comic timing and strong diction essential.
Tenor (Bb2–F4) A young sailor with idealism and courage. Earnest and romantic, devoted to Johanna.
Soprano (C4–A5) Sweeney’s innocent daughter, raised by Judge Turpin. Beautiful, fragile, yet spirited. Possesses a pure, agile soprano voice.
Bass-Baritone (E2–Gb4) A corrupt, lustful judge who destroys Sweeney’s family and becomes his ultimate target. Authoritative and sinister.
Tenor (D3–D5) The judge’s obsequious henchman. Smug, selfrighteous, and pompous; a perfect bureaucratic villain.
Tenor (Bb2–Ab4) An earnest and loyal young man who works for Mrs. Lovett. Innocent yet tragic. Strong emotional range and vulnerability required.
Mezzo-Soprano (Ab3–F5) A mysterious, deranged street woman whose madness hides deep pain and truth. Both comic and tragic extremes. Doubles as Alternate Ensemble Role.
Tenor (B2–C5) A flamboyant, bombastic “Italian” barber with a secret identity. Requires strong comic timing and a solid tenor voice. Doubles as Alternate Ensemble Role.