Seeking Teens for "The Importance of Being Earnest"
"The Importance of Being Earnest" auditions are open to grades 9-12. Please see the details below. ONLY LOCAL TALENT WILL BE ACCEPTED. About the project: The Importance of Being Earnest is the most renowned of Oscar Wilde’s comedies. It’s the story of two bachelors, John ‘Jack’ Worthing and Algernon ‘Algy’ Moncrieff, who create alter egos named Ernest to escape their tiresome lives. They attempt to win the hearts of two women who, conveniently, claim to only love men called Ernest. The pair struggles to keep up with their own stories and becomes tangled in a tale of deception, disguise, and misadventure. The elaborate plot ridicules Victorian sensibilities with some of the best-loved, and indeed bizarre, characters to be found on the modern stage. Additional info: Please prepare a one-minute dramatic or comedic monologue (preferably in an English Accent, but it is optional). Please bring a current picture and resume. Callbacks will be scheduled by invitation only on Thursday, December 11, 2025, from 4:00 pm to 9:00 pm in Lincoln Park Performing Arts Center’s Large Dance Studio, located on the second floor. Rehearsal: Monday, January 12, 2026 - Thursday, January 15, 2026, 4-9:00PM Saturday, January 17, 2026, 1-5:00PM Monday, January 19, 2026 - Thursday, January 22, 2026, 4-9:00PM Saturday, January 24, 2026, 1-5:00PM Monday, January 26, 2026 - Thursday, January 29, 2026, 4-9:00PM Saturday, January 31, 2026, 1-5:00PM Monday, February 2, 2026 - Wednesday, February 5, 2026, 4-9:00 PM Run Through (Mandatory) Thursday, February 5, 2026, 4-9:00 PM (Designer Run) Tech Rehearsal (Mandatory) Saturday, February 7, 2026, 1-5:00 PM Sunday, February 8, 2026, 1:00-9:00 PM Tuesday, February 10, 2026, 4-9:00 PM Wednesday, February 11, 2026, 4-9:00 PM Thursday, February 12, 2026, 4-9:00 PM Performances (Mandatory) Friday, February 13, 2026, 7:30 PM Saturday, February 14, 2026, 2:00 PM Saturday, February 14, 2026, 7:30 PM Sunday, February 15, 2026, 2:00 PM Thursday, February 19, 2026, 7:30 PM Friday, February 20, 2026, 7:30 PM Saturday, February 21, 2026, 2:00 PM Saturday, February 21, 2026, 7:30 PM Sunday, February 22, 2026, 2:00 PM See the attachment to complete the audition form. If interested, please apply.
11 roles
The play's protagonist. Jack Worthing is a seemingly responsible and respectable young man who leads a double life. In Hertfordshire, where he has a country estate, Jack is known as Jack. In London he is known as Ernest. As a baby, Jack was discovered in a handbag in the cloakroom of Victoria Station by an old man who adopted him and subsequently made Jack guardian to his granddaughter, Cecily Cardew. Jack is in love with his friend Algernon's cousin, Gwendolen Fairfax.
The play's secondary hero. Algernon is a charming, idle, decorative bachelor, nephew of Lady Bracknell, cousin of Gwendolen Fairfax, and best friend of Jack Worthing, whom he has known for years as Ernest. Algernon is brilliant, witty, selfish, amoral, and given to making delightful paradoxical and epigrammatic pronouncements. He has invented a fictional friend, "Bunbury," an invalid whose frequent sudden relapses allow Algernon to wriggle out of unpleasant or dull social obligations.
Algernon's cousin and Lady Bracknell's daughter. Gwendolen is in love with Jack, whom she knows as Ernest. A model and arbiter of high fashion and society, Gwendolen speaks with unassailable authority on matters of taste and morality. She is sophisticated, intellectual, cosmopolitan, and utterly pretentious. Gwendolen is fixated on the name Ernest and says she will not marry a man without that name.
Jack's ward, the granddaughter of the old gentlemen who found and adopted Jack when Jack was a baby. Cecily is probably the most realistically drawn character in the play. Like Gwendolen, she is obsessed with the name Ernest, but she is even more intrigued by the idea of wickedness. This idea, rather than the virtuous-sounding name, has prompted her to fall in love with Jack's brother Ernest in her imagination and to invent an elaborate romance and courtship between them.
Algernon's snobbish, mercenary, and domineering aunt and Gwendolen's mother. Lady Bracknell married well, and her primary goal in life is to see her daughter do the same. She has a list of "eligible young men" and a prepared interview she gives to potential suitors. Like her nephew, Lady Bracknell is given to making hilarious pronouncements, but where Algernon means to be witty, the humor in Lady Bracknell's speeches is unintentional.
Cecily's governess. Miss Prism is an endless source of pedantic bromides and clichés. She highly approves of Jack's presumed respectability and harshly criticizes his "unfortunate" brother. Puritan though she is, Miss Prism's severe pronouncements have a way of going so far over the top that they inspire laughter. Despite her rigidity, Miss Prism seems to have a softer side. She speaks of having once written a novel whose manuscript was "lost" or "abandoned."
The rector on Jack's estate. Both Jack and Algernon approach Dr. Chasuble to request that they be christened "Ernest." Dr. Chasuble entertains secret romantic feelings for Miss Prism. The initials after his name stand for "Doctor of Divinity."
Algernon's manservant. When the play opens, Lane is the only person who knows about Algernon's practice of "Bunburying."
The butler at the Manor House, Jack's estate in the country.