"Tarzan" Musical Needs Kids and Teens
Seeking performers ages 8 and up for "Tarzan" Musical. Please see the details below. ONLY LOCAL TALENT WILL BE ACCEPTED. About the project: Washed up on the shores of West Africa, an infant boy is taken in and raised by gorillas who name him Tarzan. Apart from striving for acceptance from his ape father, Tarzan's life is mostly monkey business until a human expedition treks into his tribe's territory, and he encounters creatures like himself for the first time. Tarzan struggles to navigate a jungle, thick with emotion, as he discovers his animal upbringing clashing with his human instincts. Additional info: Prepare the provided songs for auditions and practice one of the provided sides in the sign-up link. If interested, please apply.
13 roles
Tenor Still untainted by civilization. His curiosity has grown as his skills develop. Tarzan is long, lean and very athletic. He has great integrity and a strong sense of fairness. Tarzan falls passionately in love with Jane at first sight and wonders if she is the key to unlocking his mysterious past. Tarzan should be a pop high baritone or tenor. His solos primarily sit in a high register, but it works best if he can mix and belt equally well.
Mezzo-Soprano A proper, well-bred, British young lady, but a bit of a tomboy, too. She is very much the turn-of-the-twentieth-century independent female adventurer and scientist. Jane is an attractive ingénue with a bit of a motor-mouth brought on by her fascination and passion for all the expedition has to offer. Once meeting Tarzan, this young girl blossoms into a woman. Jane should be able to belt to D5; D5-F5 can be sung in a legit voice.
Tenor/Alto A male ape whose friendship with Tarzan has only grown stronger through the years. Other than Kala, Terk is the only ape who visits Tarzan in exile. He would like to think he knows it all and often relies on his great sense of humor. He tends to stay in one place, not growing much in life experience or knowledge. Terk is written to be a rock/pop/soul tenor with a good understanding of groove and some ad-lib skills; he must be comfortable singing consistently in his upper register.
Non-singing A brutish British expedition guide and the villain of the show. He has been hired by Professor Porter to lead a scientific research trip but is actually planning to hunt apes for profit. Clayton is a greedy and self-centered macho male who will stop at nothing to get what he wants.
An innocent ten-year-old human, raised by apes. He is immensely curious and possesses a keen ingenuity. Tarzan is daring but desperately wants to fit in with the rest of the family. Young Tarzan is written for an unchanged voice. His solos are challenging as many of them sit in a high register. Solo song.
A sarcastic adolescent ape. He is an outcast due to his meager size and inability to keep up with his brothers and sisters physically. Terk replaces his physical inadequacy with eloquence and intelligence. He finds a kindred spirit in Tarzan, the other outcast of the family. Solo song.
She protects her son with all her might, braving the shipwreck, storm, and jungle to keep him alive. Together with her husband, she builds a house in the canopy of the trees, trying to create a safe haven for her family to live in. Solo singing lines.
A strong, determined man who braves the unknown to provide for his wife and son after a shipwreck leaves them stranded in an unfamiliar jungle. This role is featured briefly at the top of the show but sets the tone for the entire musical. Solo singing lines.
Non-singing Fierce carnivore that threatens both gorillas and humans; strong dance role
Non-singing. Head of the expedition crew.
A tribe of gorillas who become Tarzan’s family. They are fun, loving and fiercely protective of their own. Performers should be comfortable with movement, singing and physicality.
Some of the ensemble will be featured in certain songs. Should be comfortable in dancing and movement.
Non-singing. Can be doubled as ape ensemble.