Youth Performers Wanted for "Spring Awakening" Musical
Boys & girls ages 15-18 are needed for the "Spring Awakening" Show. See the details below. ONLY LOCAL TALENT WILL BE ACCEPTED. Additional info: What to prepare: Please prepare a song for the show. No duets allowed. There will be cold readings from the script. Callbacks December 15th from 6-9 pm. Rehearsals will be Saturday mornings ONLY from 8 am-12 pm starting February 11th. For tech week we will have rehearsal on May 1st, 2nd, and 4th from 6-9 pm. Performances: May 5th, 6th, and 7th. Please note: there is a production fee. Please see the document attached. If interested, please apply.
13 roles
(Pop Soprano) A sweet, but naive young girl who is trapped in her family’s unwillingness to teach her about the adult world, but with every passing day, she grows bolder and more curious about the her body. Both vulnerable and a willing participant in her evolution.
(Pop Soprano/Belter) Beautiful and mature looking. A misguided young girl who runs away from an abusive home to live in an artists’ colony. Kind and resilient while also broken and stuck in a cycle of abuse. There is a strong emotional connection between Ilse and Moritz; perhaps in another life they could have been happy together.
(Alto/Belter) One of Wendla’s friends who is abused by her father, and she keeps the worst of the abuse to herself. She has a crush on Moritz, and is chastised by the other girls for it. Best friend of Anna and protective of her.
(Mezzo-Soprano) A kind school girl and Martha’s best friend. She is more aware of injustice than the other girls and recognizes that what happens to Wendla is wrong. Has a secret crush on Martha.
(Alto) A confrontational school girl and Wendla’s best friend. Outwardly believes the adults but secretly questions the blind faith demanded of her. Does not want to rock the boat. Mistrusts Hanschen.
(Various Voice Parts) There are 6 ensemble girls.
(Bari-Tenor) A headstrong, smart and charismatic schoolboy. He knows much more than the others because of what he reads in books and is able to see the corruption in society. His radical points of view about most things are correct but misunderstood. He falls in love with Wendla.
(Tenor) Melchior’s intense and nervous best friend. He has an overwhelming confusion relating to sexual feelings, which seems comedic at first, but quickly develops into a serious issue for him. The system has failed him. Highly sensitive and aware of his inability to fit into the system. Feels like a failure. One of the childhood four: Wendla, Melchior, Moritz and Ilse.
(Tenor) A cunning and attractive schoolboy, who manipulates the other students, especially Ernst, whom he seduces. Like Melchior, he also appears to be very intelligent, but uses his knowledge in favor of the system.
(Bari-Tenor) A sweet and naive classmate. He is Hänschen’s love interest.
(Tenor) A hormonal schoolboy who lusts after his older, busty piano teacher.
(Bari-Tenor) Another schoolboy who has a disturbing dream about his mother.
(Various Voice Parts) There are 6 ensemble boys.